MODERN ART
MIKHAIL OVCHINNIKOV
ART CONSERVATION
EXAMPLE OF CLEANING OIL PAINTING WHEN HALF OF THE SURFACE STEAL UNDER
LAYER OF DIRT AND DISCOLORED VARNISH.
SURFACE OF THE PAINTING WAS CLEANED, BUT ON A LEFT SIDE OF THE SKY STILL
VISIBLE SMALL AREAS OF OVER PAINT
CONDITION AFTER TREATMENT: EXCESS OF OVER PAINT WAS REMOVED, MINOR
INPAINTINGS, SEALING
RESULT AFTER TREATMENT
EXAMPLE OF COMPENSATION OF MISSING GROUND ON DAMAGED AREAS OVERPAINTED DURING PREVIOUS RESTORATION
AFTER REMOVAL A DEPOSITS OF LATE TREATMENT PLACE WAS GESSED.
THESE TWO PAINTINGS WERE EXECUTED ON A
GESSED WOODEN PANELS. ON A PHOTOGRAPHS
SHOWN CONDITION OF DETERIORATED SURFACES.
SEPARATION OF PAIN LAYER AND GROUND, FLAKING
ALLOVER, AREAS OVERPAINT ON LOST GESSO
PARTS
TREATMENT PROCESS: FRAGMENTS PAINTINGS AFTER CONSOLIDATION AND LEVELING PAINT LAYERS
FRAGMENTS AFTER CLEANING
BEFORE IN PAINTING
AFTER TREATMENT
TEST ON REMOVAL AGED VARNISH
AND OVERPAINTS
AFTER CONSOLIDATION
BEFORE TREATMENT
AFTER TREATMENT
BEFORE TREATMENT
FRAGMENT: PAINT LAYER, GROUND,CANVAS DAMAGED BY ANIMAL
FRAGMENT: DAMAGED CANVAS
TREATMENT: CONSOLIDATION
CANVAS THREADS, REMOVAL OLD
VARNISH, COMPENSATION OF
MISSING GESSO
AFTER TREATMENT
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SCOUT LATE 19 CENTURY AMERICAN SCHOOL
BEFORE TREATMENT: PAINTING WAS PREVIOUSLY RESTORED . TWO PATCHES ON ABACK OF THE CANVAS TORN PLACES POORLY RESTORED WITH HEAVY OVERPAINTED AREAS. LOST PAINT ON A BUTTON OF A CANVAS AND SOME AREAS
IN PROCESS: AFTER CONSOLIDATION, RELINING PAINTING ON A NEW CANVAS PAINTING WAS TESTED IN SEVERAL AREAS ON A COMBINATION SOLVENTS SUITABLE FOR CLEANING AND REMOVAL OVERPAINT.A PHOTOGRAPHS SHOWN DIFFERENT
FRAGMENTS OF REMOVAL OLD VARNISH AND OVERPAINTING
AFTER REMOVAL OLD VARNISH AND OVERPAINT TORN ,PAINT, GESSO LOST PLACES WAS FILL IN GROUND, LEVELED, INPAINTED. FINAL STEP -SEALING
ERNST MULLER 19 C. GERMAN
CHRISTIAN BLACHE 19 CENTURY
ARTIST UNKNOWN EARLY 19
CENTURY BRITISH