MODERN ART
MIKHAIL OVCHINNIKOV
ART CONSERVATION
Process: half cleaning after relaxation and
consolidation of canvas gesso and paint layer
consolidation of canvas gesso and paint layer
Before treatment: Oil on canvas, deformation of
canvas, old varnish, deposition of grime and stable
dust
canvas, old varnish, deposition of grime and stable
dust
After treatment: inpainting
abraded areas, gesso
compensated places,
revarnishing
abraded areas, gesso
compensated places,
revarnishing
Before treatment: deteriorated surface of paint,
old varnish, numerous overpaint over missing
areas of gesso
old varnish, numerous overpaint over missing
areas of gesso
Removal of old varnish and
overpaintings
overpaintings
After treatment: compensation gesso, inpainting,
restoration of abraded ares on saints, sealing
restoration of abraded ares on saints, sealing
Before treatment: multiple areas of separated paint layer and
gilding on gesso, many losses of gesso, flaking, contraction of
wooden boards, old varnish
gilding on gesso, many losses of gesso, flaking, contraction of
wooden boards, old varnish
Before treatment
Before treatment: fragments
Process: facing entire surface of the icon to prevent any losses to paint surface, injection of adhesive into the pockets
where the gesso separated from the panel, levelling relaxed gesso, remove facing paper after a few days, compensation
of missing gesso.
where the gesso separated from the panel, levelling relaxed gesso, remove facing paper after a few days, compensation
of missing gesso.
After treatment: inpainting, gilding reconstructed gesso areas, sealing
Before treatment canvas was in very poor condition: multiple
losses of paint layer and gesso, paint layer and gesso were
very unstable. Treatment: consolidation both sides of painting
by penetrating with adhesive; canvas was restretched, after
removing facing; missing parts of gesso were regessed and
leveled
losses of paint layer and gesso, paint layer and gesso were
very unstable. Treatment: consolidation both sides of painting
by penetrating with adhesive; canvas was restretched, after
removing facing; missing parts of gesso were regessed and
leveled
After treatment: inpainting abraded and compensated areas, sealing
Fragments icon after treatment
Before treatment
In process: repair, gluing together
deformed boards, consolidation bubbled
gesso, plaining surface, fill In gesso,
removal overpaint .
deformed boards, consolidation bubbled
gesso, plaining surface, fill In gesso,
removal overpaint .
After treatment
Before treatment: abrasions of paint layer. In
some areas losses of paint layer, gesso, gilding.
Flaking paints, old varnish.
some areas losses of paint layer, gesso, gilding.
Flaking paints, old varnish.
Process: consolidation paint layer and gesso, half
cleaning.
cleaning.
After treatment
Before treatment: after removal of riza, (oclad ) were found numerous holes, abrasions,
caused by nails, adhesion metal to paint layer, darkened linseed oil , flaking gesso and paints.
caused by nails, adhesion metal to paint layer, darkened linseed oil , flaking gesso and paints.
After treatment
After treatment (fragment)
ICONS
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